DJ Allyn - The Soundtrack for my Life

Heart is a rock band whose founding members came from Seattle, Washington

Going through several lineup changes, the only constant members of the group are sisters Ann and Nancy Wilson. The group rose to fame in the 1970s with their music being influenced by hard rock as well as folk music. After diminishing in popularity by the mid-1980s, the band created a major comeback in 1985, experiencing further success with their power ballads throughout the rest of the decade. By the mid-1990s, Heart left their 1980s’ sound and went back to their hard rock roots which they continue to play today.

In 1967 Steve Fossen formed The Army along with Roger Fisher on guitar, Don Wilhelm on guitar, keyboards and lead vocals, Ray Schaefer on drums and Fossen on bass. They played for several years in and around the Bothell, Washington area (northeast of Seattle). They frequently played Bothell High School, Inglemoor High School and Shorecrest High School, as well as many taverns and club venues. They frequented the club “Parkers” on Aurora Avenue in north Seattle during the 1970s when it was better known as the “Aquarius Tavern”. In 1969 the band went through line-up changes (Gary Ziegelman on lead vocals, Roger on guitar, Steve on bass, James Cirrello on guitar, Ron Rudge on drums and Ken Hansen on percussion) (and Debi Cuidon, vocals[citation needed]) and a new name, White Heart[12] (from Tales from the White Hart, a collection of short stories by Arthur C. Clarke). For a brief time in 1970 this line-up shortened its name to Heart; however, the band went through more personnel changes, and when Ann Wilson joined in late 1970, the band was named Hocus Pocus. Mike Fisher, Roger’s brother, was set to be drafted. When he did not report for duty, his home was raided, but he slipped out a rear window and escaped to Canada.

One day in 1971, Mike sneaked across the border to visit family and, by chance, met Ann at a Hocus Pocus show. According to Nancy, that meeting was “when she and Michael fell in love” and Ann decided to follow Mike back to Canada. Steve Fossen finished his college education before he also decided to move to Canada in late 1972, and Roger followed in late 1972 / early 1973, and along with Mike and Ann, the band Heart was officially formed. Nancy joined in 1974, and soon after became involved with Roger. In 1974 the Heart lineup consisted of Ann, Nancy, Roger, Steve, John Hannah (keyboards) and Brian Johnstone (drums).

Dog & Butterfly

“Dog & Butterfly” is a song recorded by the rock band Heart. It is the title track to the band’s fourth studio album Dog & Butterfly and was released as the album’s second single. The song is a more subdued effort from the band, and differs from past hard rock-oriented hits, as Ann and Nancy Wilson pulled from their folk music influences.

There I was with the old man
Stranded again so off I’d ran
A young world crashing around me
No possibilities of getting what I need
He looked at me and smiled
Said “No, no, no, no, no child.

See the dog and butterfly. Up in the
Air he like to fly.” Dog and butterfly
Below she had to try. She roll back down
To the warm soft ground laughing
She don’t know why, she don’t know why
Dog and butterfly

Well I stumbled upon your secret place
Safe in the trees you had tears on your face
Wrestling with your desires frozen strangers
Stealing your fires. The message hit my mind
Only words that I could find

See the dog and butterfly
Up in the air he like to fly
Dog and butterfly below she had to try
She roll back down to the warm soft ground
Laughing to the sky, up to the sky
Dog and butterfly

We’re getting older the world’s getting colder
For the life of me I don’t know the reason why
Maybe it’s livin’ making us give in
Hearts rolling in taken back on the tide
We’re balanced together ocean upon the sky

Another night in this strange town
Moonlight holding me light as down
Voice of confusion inside of me
Just begging to go back where I’m free
Feels like I’m through
Then the old man’s words are true

See the dog and butterfly
Up in the air he like to fly
Dog and butterfly, below she had to try
She roll back down to the warm soft
Ground with a little tear in her eye
She had to try, she had to try
Dog and butterfly
yeah
Up in the air, he liked to fly
The dog and butterfly, below she had to try
She rolled back down to the warm soft ground
Laughing she don’t know why
But she had to try she had to try
Dog and butterfly

• Audio from the 1978 album, Dog & Butterfly:

 

 Dog and Butterfly - Heart (1978) [5:22m]: Play Now | Play in Popup | Downloads 1

Video of the Day - July 3, 2009

The Moody Blues formed on 4 May 1964, in Erdington, Birmingham, England. Ray Thomas, John Lodge, and Michael Pinder had been members of El Riot & the Rebels, a regionally-popular band. They disbanded when Lodge, the youngest member, went to technical college and Pinder joined the army. Pinder then rejoined Thomas to form the Krew Cats and enjoyed moderate success. The pair recruited guitarist/vocalist Denny Laine, band manager-turned drummer Graeme Edge, and bassist Clint Warwick. The five appeared as the Moody Blues for the first time in Birmingham in 1964. The name developed from a planned sponsorship from the M&B Brewery and was also a subtle reference to the Duke Ellington song, “Mood Indigo”.

Your Wildest Dreams

“Your Wildest Dreams” tell the story of a man who is remembering his first love, and wonders if she remembers him the way he remembers her. “Your Wildest Dreams” was followed up by a sequel in 1988. The sequel is titled “I Know You’re Out There Somewhere”, and it appears on the Moody Blues album Sur la mer.

Once upon a time
Once when you were mine
I remember skies
Reflected in your eyes
I wonder where you are
I wonder if you
Think about me
Once upon a time
In your wildest dreams

Once the world was new
Our bodies felt the morning dew
That greets the brand new day
We couldn’t tear ourselves away
I wonder if you care
I wonder if you still remember
Once upon a time
In your wildest dreams

And when the music plays
And when the words are
Touched with sorrow
When the music plays
I hear the sound
I had to follow
Once upon a time
Once beneath the stars
The universe was ours
Love was all we knew
And all I knew was you
I wonder if you know
I wonder if you think about it
Once upon a time
In your wildest dreams

And when the music plays
And when the words are
Touched with sorrow
When the music plays
And when the music plays
I hear the sound
I had to follow
Once upon a time

Once upon a time
Once when you were mine
I remember skies
Mirrored in your eyes
I wonder where you are
I wonder if you
Think about me
Once upon a time
In your wildest dreams
In your wildest dreams
In your wildest dreams

• Audio from the 1986 album The Other Side of Life:

 

 Your Wildest Dreams - The Moody Blues (1985) [4:52m]: Play Now | Play in Popup | Downloads 6

Video of the Day - July 2, 2009

While the Outlaws are generally considered to be a part of the southern rock genre, there are distinct differences in their approach and their influences. Their primary similarity to other southern rock bands is the dual lead guitar interplay, a defining characteristic of many southern rock bands. However, the Outlaws’ mix of country and rock elements displays the vocal harmony influences of groups like Buffalo Springfield, the Byrds, and Poco. Their use of three and four part harmonies set them apart from their contemporaries who usually relied on a single lead vocalist.

Hughie Thomasson’s signature guitar playing style and voice were defining characteristics of the band’s sound. Thomasson’s guitar sound was underpinned by the use of the Fender Stratocaster (and sometimes a Fender Telecaster) played in a quasi-country style mixed with fluid, quick blues runs. Hughie was nicknamed “The Flame” for his flaming fast guitar work. He is a member of the Fender Hall of Fame.

The other lead guitarist, Billy Jones, played mainly a Gibson Les Paul and switched between a clean and distorted sound. A good example of this can be heard on “Green Grass and High Tides” on the left stereo channel. Hughie Thomasson’s smooth Stratocaster sound can be heard on the right channel. Thomasson opens the first solo at the intro and plays the first half of the two succeeding longer solos all on the right channel. There are many video examples of his Green Grass solos on the internet.

Green Grass and High Times

“Green Grass and High Tides” is a song by the southern rock band Outlaws. It is the tenth and final track on the band’s debut album, Outlaws. The song is one of their best known, and has received extensive play on album-oriented radio stations, although it was never released as a single. The song is notable for having two extended guitar solos that stretch the song to nearly 10 minutes.

In a place you only dream of
Where your soul is always free
Silver stages, golden curtains
Filled my head, plain as can be
As a rainbow grew round the sun
All the stars I’ve love who died
Came from somewhere beyond the scene you see
These lovely people played just for me
Now if I let you see this place
Where stories all ring true
Will you let me past your face
To see what’s really you
It’s not for me I ask these questions
As though I were a king
For you have to love, believe and feel
Before the burst of tamborines take you there

Green grass and high tides forever
Castles of stone souls and glory
Lost faces say we adore you
As kings and queens bow and play for you

Those who don’t believe me
Find your souls and set them free
Those who do, believe and love
As time will be your key
Time and time again I’ve thanked them
For a piece of mind
They helped me find myself
Amongst the music
and the rhyme
That enchants you there

Green grass and high tides forever
Castles of stone souls and glory
Lost faces say we adore you
As kings and queens bow and play for you

• Audio from the 1975 album, Outlaws:

 

 Green Grass and High Times - Outlaws (1975) [9:52m]: Play Now | Play in Popup | Downloads 1

Skid Row is an American heavy metal band, formed in 1986 in Toms River, New Jersey. They are named after Phil Lynott and Gary Moore’s first band. They were most successful in the late 1980s and early 1990s when their first two albums with lead singer Sebastian Bach and drummer Rob Affuso were multi-platinum successes. Their current line-up consists of Johnny Solinger (vocals), Dave “The Snake” Sabo (guitar), Scotti Hill (guitar), Rachel Bolan (bass) and Dave Gara (drums). As of the end of 1996 the band has sold over 20 million albums worldwide.

I Remember You

Woke up to the sound of pouring rain
The wind would whisper and I’d think of you
And all the tears you cried, that called my name
And when you needed me I came through

I paint a picture of the days gone by
When love went blind and you would make me see
I’d stare a lifetime into your eyes
So that I knew you were there for me
Time after time you were there for me

Remember yesterday - walking hand in hand
Love letters in the sand - I remember you
Through the sleepless nights and every endless day
I’d wanna hear you say - I remember you

We spend the summer with the top rolled down
Wished ever after would be like this
You said I love you babe, without a sound
I said I’d give my life for just one kiss
I’d live for your smile and die for your kiss

Remember yesterday - walking hand in hand
Love letters in the sand - I remember you
Through the sleepless nights and every endless day
I’d wanna hear you say - I remember you

We’ve had our share of hard times
But that’s the price we paid
And through it all we kept the promise that we made
I swear you’ll never be lonely

Woke up to the sound of pouring rain
Washed away a dream of you
But nothing else could ever take you away
‘Cause you’ll always be my dream come true
Oh my darling, I love you

Remember yesterday - walking hand in hand
Love letters in the sand - I remember you
Through the sleepless nights and every endless day
I’d wanna hear you say - I remember you

Remember yesterday - walking hand in hand
Love letters in the sand - I remember you
Through the sleepless nights and every endless day
I’d wanna hear you say - I remember you

• Audio from the 1989 album, Skid Row:

 

 I Remember You - Skid Row (1989) [5:14m]: Play Now | Play in Popup | Downloads 3

The Grateful Dead were an American rock band formed in 1965 in the San Francisco Bay Area. The band was known for its unique and eclectic style, which fused elements of rock, folk, bluegrass, blues, reggae, country, jazz, psychedelia, space rock and gospel—and for live performances of long musical improvisation. “Their music,” writes Lenny Kaye, “touches on ground that most other groups don’t even know exists.”

The Grateful Dead’s fans, some of whom followed the band from concert to concert for years, are known as Deadheads and have been renowned for their dedication to the band’s music. Many fans referred to the band simply as “the Dead”. As of 2003, the remaining band members who had been touring under the name “The Other Ones” changed their official group name to “The Dead”. Deadheads continue to use the nickname to refer to all versions of the band.

Their musical influences varied widely; in concert recordings or on record albums one can hear psychedelic rock (in the late sixties), the blues, rock nuggets, country-western, bluegrass, country-rock, and although they rarely played jazz music, the band certainly borrowed for their music the kind of long improvisatory sequences that jazz artists such as Charles Mingus and John Coltrane perfected in the 1950s and 1960s. These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead “the pioneering Godfathers of the jam band world.”

Truckin’

Written by band members Jerry Garcia, Bob Weir, Phil Lesh, and lyricist Robert Hunter, “Truckin’” molds classic Grateful Dead rhythms and instrumentation with lyrics that use the band’s misfortunes on the road as a metaphor for getting through the constant changes in life. Its climactic refrain, “What a long, strange trip it’s been,” has achieved widespread cultural use in the years since the song’s release.

Truckin’ got my chips cashed in. Keep truckin’, like the do-dah man
Together, more or less in line, just keep truckin’ on.

Arrows of neon and flashing marquees out on Main Street.
Chicago, New York, Detroit and it’s all on the same street.
Your typical city involved in a typical daydream
Hang it up and see what tomorrow brings.

Dallas, got a soft machine; Houston, too close to New Orleans;
New York, got the ways and means; but just won’t let you be,

Most of the cats that you meet on the street speak of true love,
Most of the time they’re sittin’ and cryin’ at home.
One of these days they know they gotta get goin’
Out of the door and down on the street all alone.

Truckin’, like the do-dah man. Once told me “You’ve got to play your hand”
Sometimes the cards ain’t worth a damn, if you don’t lay’em down,

Sometimes the light’s all shinin’ on me;
Other times I can barely see.
Lately it occurs to me, What a long, strange trip it’s been.

What in the world ever became of sweet Jane?
She lost her sparkle, you know she isn’t the same
Livin’ on reds, vitamin C, and cocaine,
All a friend can say is “Ain’t it a shame?”

Truckin’, up to Buffalo. Been thinkin’, you got to mellow slow
Takes time, you pick a place to go, and just keep truckin’ on.

Sittin’ and starin’ out of the hotel window.
Got a tip they’re gonna kick the door in again
I’d like to get some sleep before I travel,
But if you got a warrant, I guess you’re gonna come in.

Busted, down on Bourbon Street, Set up, like a bowlin’ pin.
Knocked down, it get’s to wearin’ thin. They just won’t let you be

You’re sick of hangin’ around and you’d like to travel;
Get tired of travelin’ and you want to settle down.
I guess they can’t revoke your soul for tryin’,
Get out of the door and light out and look all around.

Sometimes the light’s all shinin’ on me;
Other times I can barely see.
Lately it occurs to me, What a long, strange trip it’s been.

Truckin’, I’m a goin’ home. Whoa whoa baby, back where I belong,
Back home, sit down and patch my bones, and get back truckin’ on.

• Audio from the 1970 album, American Beauty:

 

 Truckin - Grateful Dead (1970) [3:14m]: Play Now | Play in Popup | Downloads 2

Video of the Day - June 29, 2009

Is it hard for you to get up in the morning?

Chairmen of the Board is a Detroit, Michigan based soul music group active mostly in the 1970s, and is still touring today.

General Norman Johnson (born 23 May 1943, Norfolk, Virginia) had a hit as the lead singer of The Showmen in the early 1960s, with the New Orleans rock and roll anthem “It Will Stand” and Carolina Beach classic “39-21-46″.

When Holland/Dozier/Holland left Motown in 1967 to establish their own Invictus/Hot Wax group of record labels, they teamed Johnson up with Eddie Custis, Danny Woods and Canadian born Harrison Kennedy as the new company’s flagship act, under the appropriate name “Chairmen of the Board”. Custis left the group after their second album.

Though they all had a turn at lead vocals, it was Johnson’s quirky hiccup-laden style and his songwriting which became increasingly showcased, with the group selling a million plus copies of their single, “Give Me Just a Little More Time”.

Give Me Just a Little More Time

Give me just a little more time
And our love will surely grow
Give me just a little more time
And our love will surely grow

Life’s too short to make a mistake
Let’s think of each other and hesitate
Young and impatient we may be
There’s no need to act foolishly
If we part our hearts won’t forget it
Years from now we’ll surely regret it

Give me just a little more time
And our love will surely grow
Give me just a little more time
And our love will surely grow

You’re young and you’re in a hurry
You’re eager for love but don’t you worry
We both want the sweetness in life
But these things don’t come overnight
Don’t give up cos love’s been slow
Boy, we’re gonna succeed with another blow

Give me just a little more time
And our love will surely grow
Baby please baby
Baby please baby

Love is that mountain we must climb
Let’s climb it together your hand in mine
We haven’t known each other too long
But the feeling I have is oh so strong
I know we can make it there’s no doubt
We owe it to ourselves to find it out

Just, Give me just a little more time
And our love will surely grow
Give me just a little more time
And our love will surely grow

Give me just a little more time
And our love will surely grow
Baby, please baby
Baby, please baby

Give me just a little more time
And our love will surely grow
Give me just a little more time
And our love will surely grow

• Audio from the 1970 album, Chairmen of the Board:

 

 Give Me Just a Little More Time - Chairmen of the Board (1970) [2:43m]: Play Now | Play in Popup | Downloads 3

Video of the Day - June 28, 2009

For the past twenty years we’ve been hearing the media pile on Michael Jackson and his “weirdness”.  They took allegations made by scam artists and blew them up all over the tabloids and the idiot box to the point that no matter whether there was any real evidence or not, the man was “convicted” by the media.

He was never able to recover.

Now we hear the media tell us what a great musician he was and how they will sorely miss Jacko.

From Jon Lajoie: