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Welcome To The Machine – Pink Floyd

Pink Floyd are an English rock band that initially earned recognition for their psychedelic or space rock music, and, as they evolved, for their progressive rock music. They are known for philosophical lyrics, sonic experimentation, innovative cover art, and elaborate live shows. One of rock music’s most successful acts, the group have sold over 200 million albums worldwide including 74.5 million albums in the United States alone.

Pink Floyd had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett; however, Barrett’s erratic behavior eventually forced his colleagues to replace him with guitarist and singer David Gilmour. After Barrett’s departure, singer and bass player Roger Waters gradually became the dominant and driving force in the mid-1970s, until his eventual departure from the group in 1985. The band recorded several albums, achieving worldwide success with The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979). In 1985, Waters declared Pink Floyd “A spent force”, but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Although they were unsuccessfully sued by Waters for rights to the name, they again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Eventually they reached a settlement out of court with Waters allowing them use of the name.

Waters performed with the band for the first time in 24 years on July 2, 2005 at the London Live 8 concert.

Richard Wright, keyboardist and pianist for the band and wrote significant parts of the music for classic albums such as Meddle, The Dark Side of the Moon and Wish You Were Here, as well as for Pink Floyd’s final studio album The Division Bell. He frequently sang background and occasionally lead vocals onstage and in the studio with Pink Floyd (most notably on the songs “Time”, “Echoes”, and on the Syd Barrett composition “Astronomy Domine”).

Richard Wright passed away on September 15, 2008 at the age of 65 from an undisclosed form of cancer.

Welcome to the Machine

Welcome to the Machine” is the second song on Pink Floyd’s 1975 album Wish You Were Here. It is notable for its use of heavily processed synthesizers and acoustic guitars, as well as a wide and varied range of tape effects.

The song describes the band’s disillusionment with the music industry as a money-making machine rather than a forum of artistic expression. The plot centers around an aspiring musician getting signed by a seedy executive to the music industry, “The Machine”. The voice predicts all the boy’s seemingly rebellious ideas (“You bought a guitar to punish your ma, you didn’t like school, and you know you’re nobody’s fool”). The boy’s illusions of personal identity are further crushed with lines such as, “What did you dream, it’s alright we told you what to dream”.

The song was performed for the first time live on Pink Floyd’s 1977 “In the Flesh” tour. Gilmour and Waters shared lead vocals, although in initial performances, Gilmour sang on his own with some backing vocals by Waters. Also for the 1977 live performances, David Gilmour played his acoustic guitar parts on his Fender Stratocaster while Waters played an Ovation acoustic guitar and Snowy White played bass guitar. The live renditions of the song were complex because music had to be synchronized with the backdrop film and its sound effects. As a result, the band had to wear headphones and listen to a click-track which, in turn, meant that there was very little room left for jamming and improvisation. Pink Floyd would play the track again on its 1987/88/89 Momentary Lapse tours when Tim Renwick played lead guitar, while Gilmour played a 12-string acoustic guitar. These renditions were not synchronized to the film, which is why David Gilmour keeps looking at the screen on videos. The song was performed by Roger Waters during his Pros and Cons 1984/1985 tour, on the 1987 Radio K.A.O.S. tour, with Mel Collins as saxophone soloist. All of these performances were perfectly synchronized to the film. These live versions deviated significantly from the album version. It was also played on the 1999–2002 “In the Flesh” tour (only stills from the animation were used) and appears on the In the Fleshconcert DVD and CD.

The following video  is the original backdrop video of Welcome to the Machine from 1975 with the studio audio removed and replaced with the fantastic sounding live performance from Oakland May 9th, 1977.

NOTE: animation is by Gerald Scarfe who would later attain great success with Pink Floyd’s The Wall. Video is on DVD.

Unfortunately, no professionally filmed footage of PInk Floyd during their prime years of 1973-1977 has ever surfaced.

Welcome my son, welcome to the machine.
Where have you been?
It’s alright we know where you’ve been.
You’ve been in the pipeline, filling in time,
Provided with toys and ‘Scouting for Boys’.
You bought a guitar to punish your ma,
And you didn’t like school, and you
know you’re nobody’s fool,
So welcome to the machine.

Welcome my son, welcome to the machine.
What did you dream?
It’s alright we told you what to dream.
You dreamed of a big star,
He played a mean guitar,
He always ate in the Steak Bar.
He loved to drive in his Jaguar.
So welcome to the Machine.

  • Audio from the 1975 album, Wish You Were Here:
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Pow R Toc H ~ Pink Floyd

Pink Floyd are an English rock band that initially earned recognition for their psychedelic or space rock music, and, as they evolved, for their progressive rock music. They are known for philosophical lyrics, sonic experimentation, innovative cover art, and elaborate live shows. One of rock music’s most successful acts, the group have sold over 200 million albums worldwide including 74.5 million albums in the United States alone.

Pink Floyd had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett; however, Barrett’s erratic behavior eventually forced his colleagues to replace him with guitarist and singer David Gilmour. After Barrett’s departure, singer and bass player Roger Waters gradually became the dominant and driving force in the mid-1970s, until his eventual departure from the group in 1985. The band recorded several albums, achieving worldwide success with The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979). In 1985, Waters declared Pink Floyd “A spent force”, but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Although they were unsuccessfully sued by Waters for rights to the name, they again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Eventually they reached a settlement out of court with Waters allowing them use of the name.

Waters performed with the band for the first time in 24 years on July 2, 2005 at the London Live 8 concert.

Richard Wright, keyboardist and pianist for the band and wrote significant parts of the music for classic albums such as Meddle, The Dark Side of the Moon and Wish You Were Here, as well as for Pink Floyd’s final studio album The Division Bell. He frequently sang background and occasionally lead vocals onstage and in the studio with Pink Floyd (most notably on the songs “Time”, “Echoes”, and on the Syd Barrett composition “Astronomy Domine”).

Richard Wright passed away on September 15, 2008 at the age of 65 from an undisclosed form of cancer.

Pow R. Toc H.

“Pow R. Toc H.” is the fifth song on Pink Floyd’s 1967 album The Piper at the Gates of Dawn. It is located in between “Flaming” and “Take Up Thy Stethoscope and Walk”. The song consists of a light piano composition coupled with strange sounds, described by some listeners as scary and “jungle-like”. The title, by Roger Waters, is meaningless, although fans sometimes adopt their own pronunciations.

Toc H. was the army signalers code for TH – representing Talbot House – a club where officers and enlisted men were equals. It later became an Interdenominational Christian fellowship organization serving the community. Pow R. was added for no other reason than it sounded right, according to Waters. It’s been said that Pow R. Toc H. was a conscious effort by the band to produce a sequel to “Interstellar Overdrive”. Like “Interstellar Overdrive”, it has no lyrics.

Pow R. Toc H. was renamed “The Pink Jungle” in the ‘Journey’ part of The Man and the Journey. Pink Floyd performed the song live from 1967-1969. The track’s eerie sounding ‘jungle-like’ noises can also be heard on live versions of both Run Like Hell and Pigs (Three Different Ones).

http://djallyn.org/media/Pink_Floyd-PowRTocH.flv

Whoo, Whoo!
Doy Doy!

  • Audio from the 1967 album, The Piper at the Gates of Dawn:
Click to Purchase

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Red Barchetta ~ Rush

Rush is a Canadian rock band originally formed in August 1968, in the Willowdale neighbourhood of Toronto, Ontario, presently comprised of bassist, keyboardist, and lead vocalist Geddy Lee, guitarist Alex Lifeson, and drummer and lyricist Neil Peart.

The original line-up formed in August 1968 in the neighbourhood of Willowdale in Toronto, Ontario, by guitarist Alex Lifeson, front man Jeff Jones, and drummer John Rutsey. Within a couple weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush’s official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey.

the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.  Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected “Working Man” for her regular play list. The song’s blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.

Immediately after the release of the debut album, Rutsey resigned in July 1974 due to his affliction with diabetes and a distaste for touring. Rush held auditions and eventually selected Neil Peart as Rutsey’s replacement. Peart officially joined the band on July 29, 1974, two weeks before the group’s first US tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band’s drummer, Peart assumed the role of principal lyricist as Lee and Lifeson had very little interest in writing, contributing to only a handful of song lyrics over the rest of the band’s career. Instead, they focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush’s first album after recruiting Peart, saw the inclusion of the band’s first epic mini-tale “By-Tor and the Snow Dog”, replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart due to his love for fantasy and science-fiction literature. However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush’s debut.

Red Barchetta

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Geddy Lee introduces this song as “A song about a red car”, but the there is a story behind the song. When Neil Peart wrote the lyrics for this song, he got the inspiration from story written by Richard S. Foster called A Nice Morning Drive, first published in the November 1973 edition of Road & Track.

This is a futuristic song about a farmer who keeps a Red Barchetta in his barn even after motors are outlawed (Before the Motor Law). The kid comes, takes the car for ride and ends up being chased by Gleaming Alloy Air car (Police is assumed). He outruns and ditches the law and returns to the barn, hides the car and goes to dream with his uncle by the fireside.

My uncle has a country place
That no one knows about.
He says it used to be a farm
Before the Motor Law.
And on Sundays I elude the Eyes,
And hop the Turbine Freight
To far outside the Wire
Where my white-haired uncle waits.

Jump to the ground
As the Turbo slows to cross the borderline.
Run like the wind
As excitement shivers up and down my spine.
Down in his barn
My uncle preserved for me an old machine
For fifty-odd years.
To keep it as new has been his dearest dream.

I strip away the old debris
That hides a shining car:
A brilliant red Barchetta
From a better vanished time.
We fire up the willing engine
Responding with a roar.
Tires spitting gravel,
I commit my weekly crime.

Wind
In my hair
Shifting and drifting
Mechanical music
Adrenaline surge…

Well-weathered leather,
Hot metal and oil,
The scented country air.
Sunlight on chrome,
The blur of the landscape,
Every nerve aware.

Suddenly ahead of me
Across the mountainside
A gleaming alloy air-car
Shoots towards me, two lanes wide.
I spin around with shrieking tires
To run the deadly race
Go screaming through the valley
As another joins the chase.

Drive like the wind
Straining the limits of machine and man.
Laughing out loud with fear and hope
I’ve got a desperate plan.
At the one-lane bridge
I leave the giants stranded at the riverside.
Race back to the farm
To dream with my uncle at the fireside.

  • Audio from the 1981 album, Moving Pictures:
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