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Deacon Blues ~ Steely Dan

Tue, Jan 29, 2008

Daily Music Picks

Donald Fagen and Walter Becker meet at the Bard College in New York in 1967. Fagen, a piano player, hears someone playing blues guitar in the student lounge and decides he must introduce himself. He discovers Becker playing a red Epiphone guitar and finds that they share the same interests in music and ironic senses of humor. A partnership is born.

They form several college bands including “The Leather Canary” (which fellow Bard student Chevy Chase sat in with a couple of times) and “The Don Fagen Trio.” Fagen and Becker also start to write songs together.

Fagen graduates Bard in 1969 with an English degree. Becker also leaves Annandale. The two of them move to Brooklyn, New York and decide to peddle their songs at the famous Brill Building in Manhattan. They don’t meet with much success, but they make an important early connection with Kenny Vance of Jay and the Americans. Vance helps them record some demos of their early material and gets them some odd jobs including doing the soundtrack for the low-budget Richard Pryor film “You Gotta Walk It Like You Talk It.” Vance also gets Becker and Fagen gigs as back-up musicians on Jay and the Americans’ 1970-71 tour. Jay Black disaffectionately labels Donald and Walter as “Starkweather and Manson.”

Fagen and Becker also meet another aspiring producer, Gary Katz, in New York. Shortly afterwards, Katz gets a job as staff producer at ABC Records in Los Angeles and also secures two staff songwriter positions for Fagen and Becker. With the hopes of making it big as songwriters, Donald and Walter move to L.A. in November 1971.

But their songs are too sophisticated for the other bands on the label, such as Three Dog Night, and Dusty Springfield, so they secretly put together their own band a long with an other guitarist, Danny Dias.

But what to call them?

Well, having a sense of humor, they decided to name the band “Steely Dan”, after a dildo in William S. Burroughs’ “Naked Lunch“.

Deacon Blues

http://djallyn.org/media/DeaconBlues.flv

This is the day
Of the expanding man
That shape is my shade
There where I used to stand
It seems like only yesterday
I gazed through the glass
At ramblers
Wild gamblers
That’s all in the past

You call me a fool
You say it’s a crazy scheme
This one’s for real
I already bought the dream
So useless to ask me why
Throw a kiss and say goodbye
I’ll make it this time
I’m ready to cross that fine line

I’ll learn to work the saxophone
I’ll play just what I feel
Drink Scotch whisky all night long
And die behind the wheel
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues

My back to the wall
A victim of laughing chance
This is for me
The essence of true romance
Sharing the things we know and love
With those of my kind
Libations
Sensations
That stagger the mind

I crawl like a viper
Through these suburban streets
Make love to these women
Languid and bittersweet
I’ll rise when the sun goes down
Cover every game in town
A world of my own
I’ll make it my home sweet home

I’ll learn to work the saxophone
I’ll play just what I feel
Drink Scotch whisky all night long
And die behind the wheel
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues

This is the night
Of the expanding the man
I take one last drag
As I approach the stand
I cried when I wrote this song
Sue me if I play too long
This brother is free
I’ll be what I want to be
I’ll learn to work the saxophone
I’ll play just what I feel
Drink Scotch whisky all night long
And die behind the wheel
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues

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This post was written by:

DJ Allyn - who has written 1000 posts on DJ Allyn – The Soundtrack for my Life.

DJ Allyn is a burned out radio guy who went on to become a burned out sound engineer for a famous (but deliberately un-named) Seattle area grunge band. Currently, working as the Chief Sound Engineer and manager of a Seattle-based recording studio, no longer doing the tour scene and insanity. I am always on the lookout for interesting videos, old music, and fun.

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2 Comments For This Post

  1. SoCalOilMan Says:

    You’ve open up your posting!

    I couldn’t get on earlier even after I wrote you. I didn’t want to bitch to much because of the things you were dealing with at the Rott, figured you were busy and didn’t need distractions.

    Then you threaten me (don’t know what post it was on) because I don’t come by? I check out your “Music Picks” every day to see what’s new. Just couldn’t let you know how much I appreciate your depth of knowledge of the the music industry adds that little extra something.

  2. DJ Allyn Says:

    Strange. I haven’t had a problem with posting before, and nobody brought it to my attention that I remember.

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