Summertime ~ Sam Cooke

sam-cookeSam Cooke, was an American gospel, R&B, soul, and pop singer, songwriter, and entrepreneur. He is considered to be one of the pioneers and founders of soul music. He is commonly known as the King of Soul for his distinctive vocal abilities and influence on the modern world of music. His contribution in pioneering soul music led to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and popularized the likes of Otis Redding and James Brown.

Cooke had 30 U.S. top 40 hits between 1957 and 1964, and a further three after his death. Major hits like “You Send Me”, “A Change Is Gonna Come”, “Cupid”, “Chain Gang”, “Wonderful World”, and “Twistin’ the Night Away” are some of his most popular songs. Cooke was also among the first modern black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the American Civil Rights Movement.

On December 11, 1964, Cooke was fatally shot by the manager of the Hacienda Motel in Los Angeles, California, at the age of 33. At the time, the courts ruled that Cooke was drunk and distressed, and that the manager had killed Cooke in what was later ruled a justifiable homicide. Since that time, the circumstances of his death have been widely questioned.

Summertime

Summertime” is an aria composed by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, although the song is also co-credited to Ira Gershwin by ASCAP.

The song soon became a popular and much recorded jazz standard, described as “without doubt… one of the finest songs the composer ever wrote….Gershwin’s highly evocative writing brilliantly mixes elements of jazz and the song styles of African-Americans in the southeast United States from the early twentieth century.” Composer and lyricist Stephen Sondheim has characterized Heyward’s lyrics for “Summertime” and “My Man’s Gone Now” as “the best lyrics in the musical theater”. The song is recognized as one of the most covered songs in the history of recorded music, with more than 33,000 covers by groups and solo performers.

There are over 25,000 recordings of “Summertime”. In September 1936, a recording by Billie Holiday was the first to hit the US pop charts, reaching #12.[7] Other notable recordings include those by Louis Armstrong and Ella Fitzgerald in 1957, Sam Cooke also in 1957, Gene Vincent and Miles Davis in 1958, John Coltrane in 1961, The Marcels in 1961, The Tornadoes in 1964, Janis Joplin with Big Brother and the Holding Company on the 1968 album Cheap Thrills, Al Green on the 1969 album Green is Blues as well as The Zombies. The most commercially successful version was by Billy Stewart, who reached #10 on the Billboard Hot 100 in 1966.

The Doors occasionally performed this song on stage as a medley in the middle of “Light My Fire”, which can be heard on Live in Boston. English singer-songwriter Nick Drake recorded the song in 1967 or 1968, and it is included on the posthumous anthology Tanworth In Arden. The Fun Boy Three released their version in July 1982. In 1998, Morcheeba and Hubert Laws recorded the song for the Red Hot Organization’s compilation album Red Hot + Rhapsody.

It’s summertime and the living is easy
Fish are jumping and the cotton is high
Your daddy’s rich and your mama’s good looking
Hush little baby
So Don’t you cry

One of these mornings you’re gonna rise up singing
You spread your wings and take to the sky
But until that morning there is nothing can harm you
With your daddy and mommy standing by
They are standing by

  • Audio from the 1957 album, Sam Cooke:
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Castles Made of Sand ~ Jimi Hendrix

jimi-hendrixJimi Hendrix was an American guitarist, singer and songwriter whose guitar playing was influential on rock music. After initial success in Europe, he achieved fame in the USA following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival.

Hendrix often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar feedback. Hendrix, along with bands such as Cream was one of the musicians who popularized the wah-wah pedal in mainstream rock which he often used to deliver an exaggerated pitch in his solos, particularly with high bends and use of legato based around the pentatonic scale. He was influenced by blues artists such as B. B. King, Muddy Waters, Howlin’ Wolf, Albert King, and Elmore James, rhythm and blues and soul guitarists Curtis Mayfield, Steve Cropper, as well as by some modern jazz. In 1966, Hendrix, who played and recorded with Little Richard’s band from 1964 to 1965, was quoted as saying, “I want to do with my guitar what Little Richard does with his voice.”

Carlos Santana has suggested that Hendrix’ music may have been influenced by his Native American heritage. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic and phasing effects for rock recording.

Hendrix won many of the most prestigious rock music awards in his lifetime, and has been posthumously awarded many more, including being inducted into the US Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. An English Heritage “Blue plaque” was erected in his name on his former residence at Brook Street, London, in September 1997. A star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut US album, Are You Experienced, was inducted into the United States National Recording Registry, and Rolling Stone named Hendrix the top guitarist on its list of the 100 Greatest Guitarists of All Time in 2003.

Castles Made of Sand

The song is a melancholy meditation on thwarted plans. The first verse features a loving relationship reduced to conflict and social disgrace; the second verse recounts the death of a native American Indian boy who dreams of glory in battle, but is eventually killed in his sleep. The third verse presents a disabled girl who prepares for suicide, only to see a “golden winged ship passing my way”, which causes her to jump excitedly in her wheelchair. However: “it really didn’t have to stop – it just kept on goin’”. Each verse is followed by the chorus, which consists of slight variations on the line, “…and so castles made of sand fall in the sea, eventually…”.

The song is known for its intricate guitar solo, which is heard on the record played backwards.

A common interpretation of the lyric centres on the chorus and its metaphor of universal transience — “Castles made of sand fall in the sea eventually” — illustrated by specific cases in the verses, which suggest that not only love and ambition but also disease and fear, will fade and vanish.

Leon Hendrix, the younger brother of Jimi, has said that Jimi revealed privately to him that the song was about their family.  The first verse is their mother leaving their father Al for the final time. The second verse is referencing his Native American heritage and the stories his grandmother (a quarter Cherokee)  would tell him. The boy who played “war games in the woods with his Indian friends” is said to be Leon (as stated by himself), but could also be about Jimi. The third verse, by this account, channels Jimi’s memories of his mother Lucille in hospital suffering from liver disease, and wishing to die so she would suffer no more: “to her legs she smiled you won’t hurt me no more.” Lucille did have cirrhosis of the liver, but was recovering outside of Hospital, when she was admitted unconscious to hospital, where she died from a ruptured spleen caused by a blow from an unknown source, not a liver complaint as is often stated, although this was listed as a contributing factor on her death certificate. The song “Little Wing” is also about his mother Lucille, according to Leon, although in interviews he gave an alternate interpretation, most likely so he would not have to recount painful memories (it is widely known that Jimi didn’t like to recollect on his past to the public) Jimi himself said the song was about the Monterey Pop Festival personified as a girl.

Locals from the Moroccan town Diabat have claimed that the song title was inspired by the Bordj El Berod-watchtower ruin. This statement however is not likely to be true as Jimi stayed in Morocco in 1969 (Castles Made Of Sand was written in 1967).

Down the street you can hear her scream “you’re a disgrace”
As she slams the door in his drunken face,
And now he stands outside and all the neighbours start to gossip and drool.

He cries “Oh girl, you must be mad,
What happened to the sweet love you and me had?”
Against the door he leans and starts a scene,
And his tears fall and burn the garden green.

And so castles made of sand, fall in the sea, eventually.

A little Indian brave who before he was ten, played war games in
the woods with his Indian friends, and he built a dream that when he
grew up, he would be a fearless warrior Indian Chief.

Many moons passed and more the dream grew strong, until tomorrow
He would sing his first war song,
And fight his first battle, but something went wrong,
Suprise attack killed him in his sleep that night

And so castles made of sand, melts into the sea eventually.

There was a young girl, whose heart was a frown,
Because she was crippled for life, and couldn’t speak a sound
And she wished and prayed she would stop living, so she decided to die.
She drew her wheel chair to the edge of the shore, and to her legs she smiled

“You won’t hurt me no more.”
But then a sight she’d never seen made her JUMP AND SAY
“Look, a golden winged ship is passing my way”
And it really didn’t have to stop…it just kept on going.
And so castles made of sand slips into the sea,
Eventually

  • Audio from the 2010 album, Experience Hendrix: The Best of Jimi Hendrix:

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Chop Suey! ~ System of a Down

system-of-a-downSystem of a Down is an American rock band from Glendale, California, formed in 1994. System of a Down consists of Serj Tankian (lead vocals), Daron Malakian (vocals and guitar), Shavo Odadjian (bass), and John Dolmayan (drums).

The band is a part of the Axis of Justice, a non-profit organization co-founded by Tankian and fellow musician Tom Morello, dedicated to bringing together musicians, music fans, and grassroots political organizations to fight for social justice.

Chop Suey!

“Chop Suey!” is the first single from Armenian American alternative metal band System of a Down’s second album Toxicity. The single was released in September 2001 and earned the band its first Grammy nomination. The song’s working title was “Suicide”; the band members claim the change was not caused by pressure from their record company. Certain pressings of the album include an intro to the track where the comment “We’re rolling ‘Suicide’” can still be heard faintly.

The album Toxicity was number one on the charts during the week of the September 11, 2001 attacks and the controversy surrounding the popular single at the time led to Clear Channel Radio placing the song on a list of post-9/11 inappropriate titles. Although it was never actually banned completely from the air, Clear Channel Radio stations were advised against playing any of the songs on the list.

The song was included on Blender magazine’s “500 Greatest Songs Since You Were Born” list.

In an interview, Daron Malakian explained, “The song is about how we are regarded differently depending on how we pass. Everyone deserves to die. Like, if I were now to die from drug abuse, they might say I deserved it because I abused dangerous drugs. Hence the line, ‘I cry when angels deserve to die’. The lyric ‘Father, into your hands I commit my spirit‘ is a reference to Jesus’ death on the cross, as, according to the Gospels, it was one of the seven things Jesus said while dying.”

Wake up (wake up)
Grab a brush and put a little makeup
Hide the scars to fade away the shake up
(Hide the scars to fade away the shake )
Why’d you leave the keys up on the table?
Here you go create another fable

(You wanted to)
Grab a brush and put on a little makeup
(You wanted to)
Hide the scars to fade away the shake up
(You wanted to)
Why’d you leave the keys up on the table?
(You wanted to)

I don’t think you trust, in, my,
Self-righteous suicide,
I, cry, when angels deserve to die

Wake up (wake up)
Grab a brush and put a little makeup
Hide the scars to fade away the shake up
Why’d you leave the keys up on the table?
Here you go create another fable

(You wanted to)
Grab a brush and put on a little makeup
(You wanted to)
Hide the scars to fade away the shake up
(You wanted to)
Why’d you leave the keys up on the table?
(You wanted to)

I don’t think you trust in my
Self-righteous suicide,
I cry, when angels deserve to die
In my self-righteous suicide,
I cry, when angels deserve to die

Father (father)
Father (father)
Father (father)
Father (father)
Father into your hands, I commend my spirit
Father into your hands, why have you forsaken me?
In your eyes, forsaken me
In your thoughts, forsaken me
In your heart, forsaken me

Oh, trust in my, self-righteous suicide
I cry when angels deserve to die
In my self-righteous suicide
Why cry when angels deserve to die?

  • Audio from the 2002 album, Toxicity:
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