DJ Allyn – The Soundtrack for my Life

Rikki Don’t Lose That Number – Steely Dan  

Donald Fagen and Walter Becker meet at the Bard College in New York in 1967. Fagen, a piano player, hears someone playing blues guitar in the student lounge and decides he must introduce himself. He discovers Becker playing a red Epiphone guitar and finds that they share the same interests in music and ironic senses of humor. A partnership is born.

They form several college bands including “The Leather Canary” (which fellow Bard student Chevy Chase sat in with a couple of times) and “The Don Fagen Trio.” Fagen and Becker also start to write songs together.

Fagen graduates Bard in 1969 with an English degree. Becker also leaves Annandale. The two of them move to Brooklyn, New York and decide to peddle their songs at the famous Brill Building in Manhattan. They don’t meet with much success, but they make an important early connection with Kenny Vance of Jay and the Americans. Vance helps them record some demos of their early material and gets them some odd jobs including doing the soundtrack for the low-budget Richard Pryor film “You Gotta Walk It Like You Talk It.” Vance also gets Becker and Fagen gigs as back-up musicians on Jay and the Americans’ 1970-71 tour. Jay Black disaffectionately labels Donald and Walter as “Starkweather and Manson.”

Fagen and Becker also meet another aspiring producer, Gary Katz, in New York. Shortly afterward, Katz gets a job as staff producer at ABC Records in Los Angeles and also secures two staff songwriter positions for Fagen and Becker. With the hopes of making it big as songwriters, Donald and Walter move to L.A. in November 1971.

But their songs are too sophisticated for the other bands on the label, such as Three Dog Night, and Dusty Springfield, so they secretly put together their own band a long with an other guitarist, Danny Dias.

But what to call them?

Well, having a sense of humor, they decided to name the band “Steely Dan”, after a dildo in William S. Burroughs’ “Naked Lunch“.

Rikki Don’t Lose That Number

In the March 24, 2006 (2006-03-24) issue of Entertainment Weekly, in an article titled “Back to Annandale“, it was revealed that Rikki Ducornet was the apparent inspiration for the song due to a friendship songwriter Donald Fagen had with Ducornet while he attended Bard College. Ducornet was pregnant and married at the time, but recalls Fagen did give her his phone number at a college party while attending Bard and said that she believed she was the subject of the song. Fagen would not confirm the story.

We hear you’re leaving, that’s OK
I thought our little wild time had just begun
I guess you kind of scared yourself, you turn and run
But if you have a change of heart:

Rikki Don’t Lose That Number
You don’t wanna call nobody else
Send it off in a letter to yourself
Rikki don’t lose that number
It’s the only one you own
You might use it if you feel better
When you get home

I have a friend in town, he’s heard your name
We can go out driving on Slow Hand Row
We could stay inside and play games, I don’t know
And you could have a change of heart

Rikki Don’t Lose That Number
You don’t wanna call nobody else
Send it off in a letter to yourself
Rikki don’t lose that number
It’s the only one you own
You might use it if you feel better
When you get home

You tell yourself you’re not my kind
But you don’t even know your mind
And you could have a change of heart

Rikki Don’t Lose That Number
You don’t wanna call nobody else
Send it off in a letter to yourself
Rikki don’t lose that number
It’s the only one you own
You might use it if you feel better
When you get home

• Audio from the 1974 album, Pretzel Logic:

Peg ~ Steely Dan  

Donald Fagen and Walter Becker meet at the Bard College in New York in 1967. Fagen, a piano player, hears someone playing blues guitar in the student lounge and decides he must introduce himself. He discovers Becker playing a red Epiphone guitar and finds that they share the same interests in music and ironic senses of humor. A partnership is born.

They form several college bands including “The Leather Canary” (which fellow Bard student Chevy Chase sat in with a couple of times) and “The Don Fagen Trio.” Fagen and Becker also start to write songs together.

Fagen graduates Bard in 1969 with an English degree. Becker also leaves Annandale. The two of them move to Brooklyn, New York and decide to peddle their songs at the famous Brill Building in Manhattan. They don’t meet with much success, but they make an important early connection with Kenny Vance of Jay and the Americans. Vance helps them record some demos of their early material and gets them some odd jobs including doing the soundtrack for the low-budget Richard Pryor film “You Gotta Walk It Like You Talk It.” Vance also gets Becker and Fagen gigs as back-up musicians on Jay and the Americans’ 1970-71 tour. Jay Black disaffectionately labels Donald and Walter as “Starkweather and Manson.”

Fagen and Becker also meet another aspiring producer, Gary Katz, in New York. Shortly afterward, Katz gets a job as staff producer at ABC Records in Los Angeles and also secures two staff songwriter positions for Fagen and Becker. With the hopes of making it big as songwriters, Donald and Walter move to L.A. in November 1971.

But their songs are too sophisticated for the other bands on the label, such as Three Dog Night, and Dusty Springfield, so they secretly put together their own band a long with an other guitarist, Danny Dias.

But what to call them?

Well, having a sense of humor, they decided to name the band “Steely Dan”, after a dildo in William S. Burroughs’ “Naked Lunch“.

Peg

“Peg” is a song by rock group Steely Dan, which was released as a single from their 1977 album Aja.

The guitar solo on the track was attempted by seven top session guitarists before Jay Graydon’s version became the “keeper”. He worked on the song for about 6 hours before they were satisfied.[1] Rick Marotta played drums on the track.

Michael McDonald can be heard providing backup vocals in the choruses; keyboardist Paul Griffin can also be heard improvising background vocals in the final chorus and fadeout.

I’ve seen your picture
Your name in lights above it
This is your big debut
It’s like a dream come true
So won’t you smile for the camera
I know they’re gonna love it

I like your pin shot
I keep it with your letter
Done up in blueprint blue
It sure looks good on you
And when you smile for the camera
I know I’ll love you better

Peg
It will come back to you
Peg
It will come back to you
Then the shutter falls
You see it all in 3-D
It’s your favorite foreign movie

• Audio from the 1977 album,  Aja:

Reelin’ in the Years ~ Steely Dan  

Donald Fagen and Walter Becker meet at the Bard College in New York in 1967. Fagen, a piano player, hears someone playing blues guitar in the student lounge and decides he must introduce himself. He discovers Becker playing a red Epiphone guitar and finds that they share the same interests in music and ironic senses of humor. A partnership is born.

They form several college bands including “The Leather Canary” (which fellow Bard student Chevy Chase sat in with a couple of times) and “The Don Fagen Trio.” Fagen and Becker also start to write songs together.

Fagen graduates Bard in 1969 with an English degree. Becker also leaves Annandale. The two of them move to Brooklyn, New York and decide to peddle their songs at the famous Brill Building in Manhattan. They don’t meet with much success, but they make an important early connection with Kenny Vance of Jay and the Americans. Vance helps them record some demos of their early material and gets them some odd jobs including doing the soundtrack for the low-budget Richard Pryor film “You Gotta Walk It Like You Talk It.” Vance also gets Becker and Fagen gigs as back-up musicians on Jay and the Americans’ 1970-71 tour. Jay Black disaffectionately labels Donald and Walter as “Starkweather and Manson.”

Fagen and Becker also meet another aspiring producer, Gary Katz, in New York. Shortly afterward, Katz gets a job as staff producer at ABC Records in Los Angeles and also secures two staff songwriter positions for Fagen and Becker. With the hopes of making it big as songwriters, Donald and Walter move to L.A. in November 1971.

But their songs are too sophisticated for the other bands on the label, such as Three Dog Night, and Dusty Springfield, so they secretly put together their own band a long with an other guitarist, Danny Dias.

But what to call them?

Well, having a sense of humor, they decided to name the band “Steely Dan”, after a dildo in William S. Burroughs’ “Naked Lunch“.

Reelin’ in the Years

Your everlasting summer
You can see it fading fast
So you grab a piece of something
That you think is gonna last
Well you wouldn’t even know a diamond
If you held it in your hand
The things you think are precious
I can’t understand

Are you reelin’ in the years
Stowin’ away the time
Are you gatherin’ up the tears
Have you had enough of mine

You been tellin’ me you’re a genius
Since you were seventeen
In all the time I’ve known you
I still don’t know what you mean
The weekend at the college
Didn’t turn out like you planned
The things that pass for knowledge
I can’t understand

Are you reelin’ in the years
Stowin’ away the time
Are you gatherin’ up the tears
Have you had enough of mine

I spend a lot of money
And I spent a lot of time
The trip we made to Hollywood
Is etched upon my mind
After all the things we’ve done and seen
You find another man
The things you think are useless
I can’t understand

Are you reelin’ in the years
Stowin’ away the time
Are you gatherin’ up the tears
Have you had enough of mine

• Audio from the 1972 album, Can’t Buy a Thrill:

Kid Charlemagne ~ Steely Dan  

Donald Fagen and Walter Becker meet at the Bard College in New York in 1967. Fagen, a piano player, hears someone playing blues guitar in the student lounge and decides he must introduce himself. He discovers Becker playing a red Epiphone guitar and finds that they share the same interests in music and ironic senses of humor. A partnership is born.

They form several college bands including “The Leather Canary” (which fellow Bard student Chevy Chase sat in with a couple of times) and “The Don Fagen Trio.” Fagen and Becker also start to write songs together.

Fagen graduates Bard in 1969 with an English degree. Becker also leaves Annandale. The two of them move to Brooklyn, New York and decide to peddle their songs at the famous Brill Building in Manhattan. They don’t meet with much success, but they make an important early connection with Kenny Vance of Jay and the Americans. Vance helps them record some demos of their early material and gets them some odd jobs including doing the soundtrack for the low-budget Richard Pryor film “You Gotta Walk It Like You Talk It.” Vance also gets Becker and Fagen gigs as back-up musicians on Jay and the Americans’ 1970-71 tour. Jay Black disaffectionately labels Donald and Walter as “Starkweather and Manson.”

Fagen and Becker also meet another aspiring producer, Gary Katz, in New York. Shortly afterward, Katz gets a job as staff producer at ABC Records in Los Angeles and also secures two staff songwriter positions for Fagen and Becker. With the hopes of making it big as songwriters, Donald and Walter move to L.A. in November 1971.

But their songs are too sophisticated for the other bands on the label, such as Three Dog Night, and Dusty Springfield, so they secretly put together their own band a long with an other guitarist, Danny Dias.

But what to call them?

Well, having a sense of humor, they decided to name the band “Steely Dan”, after a dildo in William S. Burroughs’ “Naked Lunch“.

Kid Charlemagne

Kid Charlemagne is a song that was loosely inspired by the exploits of the infamous 1960s San Francisco-based LSD chemist Owsley Stanley.

On the hill the stuff was laced with kerosene
But yours was kitchen clean
Everyone stopped to stare at your Technicolor motor home

The first two lines draw on the fact that Owsley’s acid was famed for its purity, although the last line is clearly a reference to the famous psychedelic bus named Furthur, which was used by the Merry Pranksters.

The final verse foreshadows the main reason for Owsley’s eventual bust:

Clean this mess up else we’ll all end up in jail
Those test tubes and the scale
Just get them all out of here
Is there gas in the car?
Yes, there’s gas in the car
I think the people down the hall know who you are

Owsley and another person were arrested after their car ran out of gas. Walter Becker told a taxi cab driver in New York City that he was with the band Steely Dan. The cab driver told him what he thought the worst song lyrics were. When Becker asked the driver what they were, the driver responded, “Is there gas in the car? Yes, there’s gas in the car.”

While the music played you worked by candlelight
Those San Francisco nights
You were the best in town
Just by chance you crossed the diamond with the pearl
You turned it on the world
That’s when you turned the world around
Did you feel like Jesus
Did you realize
That you were a champion in their eyes
On the hill the stuff was laced with kerosene
But yours was kitchen clean
Everyone stopped to stare at your technicolor motor home
Every A-Frame had your number on the wall
You must have had it all
You’d go to L.A. on a dare
And you’d go it alone
Could you live forever
Could you see the day
Could you feel your whole world fall apart and fade away

CHORUS:
Get along, get along Kid Charlemagne
Get along Kid Charlemagne

Now your patrons have all left you in the red
Your low rent friends are dead
This life can be very strange
All those dayglow freaks who used to paint the face
They’ve joined the human race
Some things will never change
Son you were mistaken
You are obsolete
Look at all the white men on the street

Get along, get along Kid Charlemagne
Get along Kid Charlemagne

Clean this mess up else we’ll all end up in jail
Those test tubes and the scale
Just get them all out of here
Is there gas in the car
Yes, there’s gas in the car
I think the people down the hall
Know who you are

Careful what you carry
‘Cause the man is wise
You are still an outlaw in their eyes

Get along, get along Kid Charlemagne
Get along Kid Charlemagne

My Old School ~ Steely Dan  

Donald Fagen and Walter Becker meet at the Bard College in New York in 1967. Fagen, a piano player, hears someone playing blues guitar in the student lounge and decides he must introduce himself. He discovers Becker playing a red Epiphone guitar and finds that they share the same interests in music and ironic senses of humor. A partnership is born.

They form several college bands including “The Leather Canary” (which fellow Bard student Chevy Chase sat in with a couple of times) and “The Don Fagen Trio.” Fagen and Becker also start to write songs together.

Fagen graduates Bard in 1969 with an English degree. Becker also leaves Annandale. The two of them move to Brooklyn, New York and decide to peddle their songs at the famous Brill Building in Manhattan. They don’t meet with much success, but they make an important early connection with Kenny Vance of Jay and the Americans. Vance helps them record some demos of their early material and gets them some odd jobs including doing the soundtrack for the low-budget Richard Pryor film “You Gotta Walk It Like You Talk It.” Vance also gets Becker and Fagen gigs as back-up musicians on Jay and the Americans’ 1970-71 tour. Jay Black disaffectionately labels Donald and Walter as “Starkweather and Manson.”

Fagen and Becker also meet another aspiring producer, Gary Katz, in New York. Shortly afterwards, Katz gets a job as staff producer at ABC Records in Los Angeles and also secures two staff songwriter positions for Fagen and Becker. With the hopes of making it big as songwriters, Donald and Walter move to L.A. in November 1971.

But their songs are too sophisticated for the other bands on the label, such as Three Dog Night, and Dusty Springfield, so they secretly put together their own band a long with an other guitarist, Danny Dias.

But what to call them?

Well, having a sense of humor, they decided to name the band “Steely Dan”, after a dildo in William S. Burroughs’ “Naked Lunch“.

My Old School

In its March 24, 2006 edition, Entertainment Weekly details a return trip to Bard College in Annandale-on-Hudson, New York by Donald Fagen, in which he describes a raid by sheriff’s deputies in May 1969. Fagen, his girlfriend Dorothy White, Steely Dan bandmate Walter Becker, and some 50 other students were arrested. Charges were dropped, but the harassment was the origin of the grudge alluded to in “My Old School”. Fagen was reportedly so upset with the school being complicit with the arrests that he refused to attend graduation. The same article speculates that a Bard professor’s wife, Rikki Ducornet, was the inspiration for “Rikki Don’t Lose That Number”.

Because of the reference to The College of William & Mary in the lyrics, “My Old School” has long been a favorite of W&M students and alumni, although the song is actually about Bard College.

I remember the thirty-five sweet goodbyes
When you put me on the Wolverine
Up to Annandale
It was still September
When your daddy was quite surprised
To find you with the working girls
In the county jail
I was smoking with the boys upstairs
When I heard about the whole affair
I said oh no
William and Mary won’t do

Well I did not think the girl
Could be so cruel
And I’m never going back
To my old school

Oleanders growing outside her door
Soon they’re gonna be in bloom
Up in Annandale
I can’t stand her
Doing what she did before
Living like a gypsy queen
In a fairy tale
Well I hear the whistle but I can’t go
I’m gonna take her down to Mexico
She said oh no
Guadalajara won’t do

Well I did not think the girl
Could be so cruel
And I’m never going back
To my old school
California tumbles into the sea
That’ll be the day I go
Back to Annandale
Tried to warn you
About Chino and Daddy Gee
But I can’t seem to get to you
Through the U.S. Mail
Well I hear the whistle but I can’t go
I’m gonna take her down to Mexico
She said oh no
Guadalajara won’t do
Well I did not think the girl
Could be so cruel
And I’m never going back
To my old school

Deacon Blues ~ Steely Dan  

Donald Fagen and Walter Becker meet at the Bard College in New York in 1967. Fagen, a piano player, hears someone playing blues guitar in the student lounge and decides he must introduce himself. He discovers Becker playing a red Epiphone guitar and finds that they share the same interests in music and ironic senses of humor. A partnership is born.

They form several college bands including “The Leather Canary” (which fellow Bard student Chevy Chase sat in with a couple of times) and “The Don Fagen Trio.” Fagen and Becker also start to write songs together.

Fagen graduates Bard in 1969 with an English degree. Becker also leaves Annandale. The two of them move to Brooklyn, New York and decide to peddle their songs at the famous Brill Building in Manhattan. They don’t meet with much success, but they make an important early connection with Kenny Vance of Jay and the Americans. Vance helps them record some demos of their early material and gets them some odd jobs including doing the soundtrack for the low-budget Richard Pryor film “You Gotta Walk It Like You Talk It.” Vance also gets Becker and Fagen gigs as back-up musicians on Jay and the Americans’ 1970-71 tour. Jay Black disaffectionately labels Donald and Walter as “Starkweather and Manson.”

Fagen and Becker also meet another aspiring producer, Gary Katz, in New York. Shortly afterwards, Katz gets a job as staff producer at ABC Records in Los Angeles and also secures two staff songwriter positions for Fagen and Becker. With the hopes of making it big as songwriters, Donald and Walter move to L.A. in November 1971.

But their songs are too sophisticated for the other bands on the label, such as Three Dog Night, and Dusty Springfield, so they secretly put together their own band a long with an other guitarist, Danny Dias.

But what to call them?

Well, having a sense of humor, they decided to name the band “Steely Dan”, after a dildo in William S. Burroughs’ “Naked Lunch“.

Deacon Blues

This is the day
Of the expanding man
That shape is my shade
There where I used to stand
It seems like only yesterday
I gazed through the glass
At ramblers
Wild gamblers
That’s all in the past

You call me a fool
You say it’s a crazy scheme
This one’s for real
I already bought the dream
So useless to ask me why
Throw a kiss and say goodbye
I’ll make it this time
I’m ready to cross that fine line

I’ll learn to work the saxophone
I’ll play just what I feel
Drink Scotch whisky all night long
And die behind the wheel
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues

My back to the wall
A victim of laughing chance
This is for me
The essence of true romance
Sharing the things we know and love
With those of my kind
Libations
Sensations
That stagger the mind

I crawl like a viper
Through these suburban streets
Make love to these women
Languid and bittersweet
I’ll rise when the sun goes down
Cover every game in town
A world of my own
I’ll make it my home sweet home

I’ll learn to work the saxophone
I’ll play just what I feel
Drink Scotch whisky all night long
And die behind the wheel
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues

This is the night
Of the expanding the man
I take one last drag
As I approach the stand
I cried when I wrote this song
Sue me if I play too long
This brother is free
I’ll be what I want to be
I’ll learn to work the saxophone
I’ll play just what I feel
Drink Scotch whisky all night long
And die behind the wheel
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues