DJ Allyn – The Soundtrack for my Life

I Can See For Miles ~ The Who  

The Who are an English rock band that formed in 1964. The primary lineup consisted of guitarist Pete Townshend, vocalist Roger Daltrey, bassist John Entwistle and drummer Keith Moon. The band reached international success, became known for their energetic live performances, are regarded as one of the most influential rock bands of the 1960s and ’70s, and recognized as one of the greatest rock and roll bands of all time.

The Who rose to fame in the United Kingdom with a pioneering instrument destruction stage show, as well as a series of top ten hit singles (including the celebrated “My Generation”) and top five albums, beginning in 1965 with “I Can’t Explain”. They first hit the top ten in the USA in 1967 with “I Can See for Miles”. The 1969 release of Tommy was the first in a series of top five albums for the group in the USA, followed by Live at Leeds (1970), Who’s Next (1971), Quadrophenia (1973), and Who Are You (1978) among others.

Keith Moon died in 1978, after which the band released two more studio albums, the top five Face Dances (1981) and the top ten It’s Hard (1982), with drummer Kenney Jones, before officially disbanding in 1983. They reformed on several occasions to perform at special events such as Live Aid and for reunion tours such as their 25th anniversary tour (1989) and the Quadrophenia revival tours of 1996 and 1997. In 2000, the three surviving original members began to discuss the possibility of recording an album of new material. These plans were delayed following the death of John Entwistle in 2002. Pete Townshend and Roger Daltrey continue to perform as The Who. In 2006 they released the studio album Endless Wire, which reached the top ten in the USA and UK.

I Can See For Miles

“I Can See for Miles” is a song written by Pete Townshend and recorded for the band’s 1967 album, The Who Sell Out.

Recorded in several separate sessions in studios across two continents, the recording of “I Can See for Miles” exemplifies the increasingly sophisticated studio techniques of rock bands in the late 1960s. The backing tracks were recorded in London, the vocals and overdubbing were performed in New York at Talentmasters Studios, and the album was mastered in Los Angeles at the Gold Star Studios.

“I Can See for Miles” was rarely performed live by The Who during the Keith Moon era; the complex vocal harmonies were difficult to replicate on stage, as was the percussion style found on the original recording. The song was performed on The Smothers Brothers Comedy Hour, but it was mimed.

I know you’ve deceived me, now here’s a surprise
I know that you have ’cause there’s magic in my eyes

I can see for miles and miles and miles and miles and miles
Oh yeah

If you think that I don’t know about the little tricks you play
And never see you when deliberately you put things in my way

Well, here’s a poke at you
You’re gonna choke on it too
You’re gonna lose that smile
Because all the while

I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah

You took advantage of my trust in you when I was so far away
I saw you holding lots of other guys and now you’ve got the nerve to say

That you still want me
Well, that’s as may be
But you gotta stand trial
Because all the while

I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah

I know you’ve deceived me, now here’s a surprise
I know that you have ’cause there’s magic in my eyes

I can see for miles and miles and miles and miles and miles
Oh yeah

The Eiffel Tower and the Taj Mahal are mine to see on clear days
You thought that I would need a crystal ball to see right through the haze

Well, here’s a poke at you
You’re gonna choke on it too
You’re gonna lose that smile
Beacuse all the while

I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles
and miles and miles and miles and miles

I can see for miles and miles*

*(sung 9 times, fading)

• Audio from the 1967 album, The Who Sell Out:

Pinball Wizard ~ The Who  

The Who are an English rock band that formed in 1964. The primary lineup consisted of guitarist Pete Townshend, vocalist Roger Daltrey, bassist John Entwistle and drummer Keith Moon. The band reached international success, became known for their energetic live performances, are regarded as one of the most influential rock bands of the 1960s and ’70s, and recognized as one of the greatest rock and roll bands of all time.

The Who rose to fame in the United Kingdom with a pioneering instrument destruction stage show, as well as a series of top ten hit singles (including the celebrated “My Generation”) and top five albums, beginning in 1965 with “I Can’t Explain”. They first hit the top ten in the USA in 1967 with “I Can See for Miles”. The 1969 release of Tommy was the first in a series of top five albums for the group in the USA, followed by Live at Leeds (1970), Who’s Next (1971), Quadrophenia (1973), and Who Are You (1978) among others.

Keith Moon died in 1978, after which the band released two more studio albums, the top five Face Dances (1981) and the top ten It’s Hard (1982), with drummer Kenney Jones, before officially disbanding in 1983. They reformed on several occasions to perform at special events such as Live Aid and for reunion tours such as their 25th anniversary tour (1989) and the Quadrophenia revival tours of 1996 and 1997. In 2000, the three surviving original members began to discuss the possibility of recording an album of new material. These plans were delayed following the death of John Entwistle in 2002. Pete Townshend and Roger Daltrey continue to perform as The Who. In 2006 they released the studio album Endless Wire, which reached the top ten in the USA and UK.

Pinball Wizard

“Pinball Wizard” is a song written by Pete Townshend.  The lyrics are written from the perspective of a pinball champion, called “Local Lad” in the Tommy libretto book, astounded by the skills of the opera’s eponymous main character, Tommy Walker: “That deaf, dumb and blind kid sure plays a mean pinball”, and “I thought I was the Bally table king, but I just handed my pinball crown to him”.

Townshend once called it “the most clumsy piece of writing [he'd] ever done”; nevertheless, the song was a gigantic commercial success and one of the most recognized tunes from the opera. It was a perpetual concert favourite for Who fans due to its pop sound and familiarity.

Ever since I was a young boy,
I’ve played the silver ball.
From Soho down to Brighton
I must have played them all.
but I ain’t seen nothing like him
In any amusement hall.
That deaf, dumb and blind kid
Sure plays a mean pinball!

He stands like a statue,
Becomes part of the machine.
Feeling all the bumpers
Always playing clean.
plays by intuition,
The digit counters fall
That deaf, dumb and blind kid
Sure plays a mean pinball!

He’s a pinball wizard
There has to be a twist.
A pin ball wizard,
S’got such a supple wrist.

How do you think he does it?
I don’t know!
What makes him so good?

ain’t got no distractions
Can’t hear no buzzers and bells,
Don’t see no lights a flashin’
Plays by sense of smell.
Always gets the replay,
Never seen him fall,
That deaf, dumb and blind kid
Sure plays a mean pinball.

I thought I was
The Bally table king.
But I just handed
My pinball crown to him.

Even on my favorite table
He can beat my best.
His disciples lead him in
And he just does the rest.
He’s got crazy flipper fingers
Never seen him fall.
That deaf, dumb and blind kid
Sure plays a mean pinball!

• Audio from the 1969 album, Tommy:

Behind Blue Eyes ~ The Who  

The Who are an English rock band that formed in 1964. The primary lineup consisted of guitarist Pete Townshend, vocalist Roger Daltrey, bassist John Entwistle and drummer Keith Moon. The band reached international success, became known for their energetic live performances, are regarded as one of the most influential rock bands of the 1960s and ’70s, and recognized as one of the greatest rock and roll bands of all time.

The Who rose to fame in the United Kingdom with a pioneering instrument destruction stage show, as well as a series of top ten hit singles (including the celebrated “My Generation”) and top five albums, beginning in 1965 with “I Can’t Explain”. They first hit the top ten in the USA in 1967 with “I Can See for Miles”. The 1969 release of Tommy was the first in a series of top five albums for the group in the USA, followed by Live at Leeds (1970), Who’s Next (1971), Quadrophenia (1973), and Who Are You (1978) among others.

Keith Moon died in 1978, after which the band released two more studio albums, the top five Face Dances (1981) and the top ten It’s Hard (1982), with drummer Kenney Jones, before officially disbanding in 1983. They reformed on several occasions to perform at special events such as Live Aid and for reunion tours such as their 25th anniversary tour (1989) and the Quadrophenia revival tours of 1996 and 1997. In 2000, the three surviving original members began to discuss the possibility of recording an album of new material. These plans were delayed following the death of John Entwistle in 2002. Pete Townshend and Roger Daltrey continue to perform as The Who. In 2006 they released the studio album Endless Wire, which reached the top ten in the USA and UK.

Behind Blue Eyes

“Behind Blue Eyes” is a song written by Pete Townshend of The Who for his Lifehouse project. It first appeared on The Who’s 1971 Who’s Next album, along with a number of other remnants from the project.

The song is one of the most well-known of The Who’s recordings. It starts off with a solo voice singing over a finger-picked guitar, later adds in bass guitar and ethereal harmonies, eventually breaks out into full-scale rock anthem when a second theme is introduced near the end, and wraps up by a brief reprise of the quieter first theme. Songs written in alternating sections were something of a trademark of Townshend’s writing of the period, going back at least to Tommy, where it was used in “Christmas” and “Go to the Mirror!” The guitar riff at the end of the rock anthem section is also used after the bridge during the song Won’t Get Fooled Again, perhaps serving as a link between the two songs when Who’s Next was intended to be a rock opera. (Some musical themes from Tommy and Quadrophenia appear in multiple places.)

The lyrics are a first-person lament from a man in the Lifehouse story, variously identified as ‘Brick’ or ‘Jumbo’, who is always angry and full of angst because of all the pressure and temptation that surrounds him, and the song was intended to be his “theme song” had the project been successful. (The lyrics of the rocking section near the end were actually written by Townshend as a prayer when he was a disciple of Meher Baba after being tempted by a groupie, and incorporated into the song when it was written.)

The version of “Behind Blue Eyes” on the original Who’s Next album was actually the second version the band recorded; the earlier version appears as a bonus track on the remastered CD release, which features Al Kooper on Hammond Organ.

No one knows what it’s like
To be the bad man
To be the sad man
Behind blue eyes

No one knows what it’s like
To be hated
To be fated
To telling only lies

But my dreams
They aren’t as empty
As my conscience seems to be

I have hours, only lonely
My love is vengeance
That’s never free

No one knows what it’s like
To feel these feelings
Like I do
And I blame you!

No one bites back as hard
On their anger
None of my pain and woe
Can show through

But my dreams
They aren’t as empty
As my conscience seems to be

I have hours only lonely
My love is vengeance
That’s never free

When my fist clenches, crack it open
Before I use it and lose my cool
When I smile, tell me some bad news
Before I laugh and act like a fool

And If I swallow anything evil
Put your finger down my throat
And If I shiver, please give me a blanket
Keep me warm, let me wear your coat

No one knows what it’s like
To be the bad man
To be the sad man
Behind blue eyes

• Audio from the 1971 album, Who’s Next:

Won’t Get Fooled Again ~ The Who  

Keith Moon died in 1978, after which the band released two more studio albums, the top five Face Dances (1981) and the top ten It’s Hard (1982), with drummer Kenney Jones, before officially disbanding in 1983. They reformed on several occasions to perform at special events such as Live Aid and for reunion tours such as their 25th anniversary tour (1989) and the Quadrophenia revival tours of 1996 and 1997. In 2000, the three surviving original members began to discuss the possibility of recording an album of new material. These plans were delayed following the death of John Entwistle in 2002. Pete Townshend and Roger Daltrey continue to perform as The Who. In 2006 they released the studio album Endless Wire, which reached the top ten in the UK and US.

We Don’t Get Fooled Again

We’ll be fighting in the streets
With our children at our feet
And the morals that they worship will be gone
And the men who spurred us on
Sit in judgment of all wrong
They decide and the shotgun sings the song

I’ll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
And I’ll get on my knees and pray
We don’t get fooled again
Don’t get fooled again

Change it had to come
We knew it all along
We were liberated from the fall that’s all
But the world looks just the same
And history ain’t changed
‘Cause the banners, they all flown in the last war

I’ll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
And I’ll get on my knees and pray
We don’t get fooled again
Don’t get fooled again
No, no!

I’ll move myself and my family aside
If we happen to be left half alive
I’ll get all my papers and smile at the sky
For I know that the hypnotized never lie

Do ya?

There’s nothing in the street
Looks any different to me
And the slogans are replaced, by-the-bye
And the parting on the left
Is now the parting on the right
And the beards have all grown longer overnight

I’ll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
Then I’ll get on my knees and pray
We don’t get fooled again
Don’t get fooled again
No, no!

YAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!

Meet the new boss
Same as the old boss

• Audio from the 1971 album, Who’s Next:

Baba O’Riley ~ The Who  

The Who are an English rock band formed in 1964. The primary lineup consisted of guitarist Pete Townshend, vocalist Roger Daltrey, bassist John Entwistle and drummer Keith Moon. The band reached international success, became known for their energetic live performances, are regarded as one of the most influential rock bands of the 1960s and ’70s, and recognized as one of the greatest rock and roll bands of all time.

The Who rose to fame in the United Kingdom with a pioneering instrument destruction stage show, as well as a series of top ten hit singles (including the celebrated “My Generation”) and top five albums, beginning in 1965 with “I Can’t Explain”. They first hit the top ten in the USA in 1967 with “I Can See for Miles”. The 1969 release of Tommy was the first in a series of top five albums for the group in the USA, followed by Live at Leeds (1970), Who’s Next (1971), Quadrophenia (1973), and Who Are You (1978) among others.

Keith Moon died in 1978, after which the band released two more studio albums, the top five Face Dances (1981) and the top ten It’s Hard (1982), with drummer Kenney Jones, before officially disbanding in 1983. They reformed on several occasions to perform at special events such as Live Aid and for reunion tours such as their 25th anniversary tour (1989) and the Quadrophenia revival tours of 1996 and 1997. In 2000, the three surviving original members began to discuss the possibility of recording an album of new material. These plans were delayed following the death of John Entwistle in 2002. Pete Townshend and Roger Daltrey continue to perform as The Who. In 2006 they released the studio album Endless Wire, which reached the top ten in the UK and US.

Baba O’Riley

“Baba O’Riley” was written by Pete Townshend. Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: “Don’t cry/don’t raise your eye/it’s only teenage wasteland”. The title of the song is derived from this combination of the song’s philosophical and musical influences: Meher Baba and Terry Riley.

Townshend originally wrote “Baba O’Riley” for his Lifehouse project, a rock opera that was to be the follow-up to The Who’s 1969 opera, Tommy. Townshend derived the song from an experimental recording of his Lowrey Berkshire home organ, which the band reconstructed. “Baba O’Riley” was going to be used in the Lifehouse project as a song sung by Ray, the Scottish farmer at the beginning of the album as he gathers his wife Sally and his two children to begin their exodus to London. When Lifehouse was scrapped, many of the songs were released on The Who’s 1971 album Who’s Next. “Baba O’Riley” became the first track on Who’s Next. The song was released as a single in several European countries, but in the United States and the United Kingdom was only released as part of the album.

Drummer Keith Moon had the idea of inserting a violin solo at the coda of the song, during which the style of the song shifts from crashing rock to an Irish folk-style beat. Dave Arbus, of East of Eden, plays the violin in the studio recording. In concert, lead singer Roger Daltrey replaces the violin solo with a harmonica solo. The Who have produced a live version of the song with a violin, provided by Nigel Kennedy, during their 27 November 2000 concert at the Royal Albert Hall.

The song’s iconic backing track was derived from deep within the Lifehouse concept. Townshend wanted to input the life information of Meher Baba into a synthesizer, which would then generate music based on that information. That music would have been the backing track for “Baba O’Riley,” but in the end, the frenetic sequence was played by Townshend on a Lowrey Berkshire Deluxe TBO-1 organ using its marimba repeat feature.^[2] This modal approach used for the synthesizer track was inspired by the work of minimalist composer Terry Riley. The names of Riley and Meher Baba were incorporated into the song title as a tribute by Townshend. Although they never actually did it in concert, The Who considered pulling a person from the audience and programming their vital statistics into a synthesizer that would, in effect, translate that person into a musical theme around which a song could be built (an idea later resurrected as the Lifehouse Method).

I’m here in the fields
I fight for my meals
I get my back into my living.

I don’t need to fight
To prove I’m right
I don’t need to be forgiven.
yeah,yeah,yeah,yeah,yeah

Don’t cry
Don’t raise your eye
It’s only teenage wasteland

Sally, take my hand
We’ll travel south cross land
Put out the fire
And don’t look past my shoulder.

The exodus is here
The happy ones are near
Let’s get together
Before we get much older.

Teenage wasteland
It’s only teenage wasteland.
Teenage wasteland
Oh, yeah
Teenage wasteland
They’re all wasted!

• Audio from the 1971 album, Who’s Next:

My Generation ~ The Who  

The Who are an English rock band formed in 1964. The primary lineup consisted of guitarist Pete Townshend, vocalist Roger Daltrey, bassist John Entwistle and drummer Keith Moon. The band reached international success, became known for their energetic live performances, are regarded as one of the most influential rock bands of the 1960s and ’70s, and recognized as one of the greatest rock and roll bands of all time.

The Who rose to fame in the United Kingdom with a pioneering instrument destruction stage show, as well as a series of top ten hit singles (including the celebrated “My Generation”) and top five albums, beginning in 1965 with “I Can’t Explain”. They first hit the top ten in the USA in 1967 with “I Can See for Miles”. The 1969 release of Tommy was the first in a series of top five albums for the group in the USA, followed by Live at Leeds (1970), Who’s Next (1971), Quadrophenia (1973), and Who Are You (1978) among others.

Keith Moon died in 1978, after which the band released two more studio albums, the top five Face Dances (1981) and the top ten It’s Hard (1982), with drummer Kenney Jones, before officially disbanding in 1983. They reformed on several occasions to perform at special events such as Live Aid and for reunion tours such as their 25th anniversary tour (1989) and the Quadrophenia revival tours of 1996 and 1997. In 2000, the three surviving original members began to discuss the possibility of recording an album of new material. These plans were delayed following the death of John Entwistle in 2002. Pete Townshend and Roger Daltrey continue to perform as The Who. In 2006 they released the studio album Endless Wire, which reached the top ten in the UK and US.

My Generation

Townshend reportedly wrote the song on a train and is said to have been inspired by the Queen Mother who is alleged to have had Townshend’s 1935 Packard hearse towed off a street in Belgravia because she was offended by the sight of it during her daily drive through the neighbourhood. Townshend has also credited Mose Allison’s “Young Man Blues” as the inspiration for the song, saying “Without Mose I wouldn’t have written ‘My Generation’.” Townshend told the Rolling Stone magazine in 1985 that “‘My Generation’ was very much about trying to find a place in society”. A competing theory places a young Pete Townshend opposite an old man white washing the shutters of his family home. From the misheard phrase “I hope these dry before it gets cold,” music history was born.

The following is the Who performing in 1967 on the Smothers Brothers Comedy Hour where they recreated the incident at the Monterey Pop Festival where they originally destroyed their equipment.

People try to put us d-down (Talkin’ ’bout my generation)
Just because we get around (Talkin’ ’bout my generation)
Things they do look awful c-c-cold (Talkin’ ’bout my generation)
I hope I die before I get old (Talkin’ ’bout my generation)

This is my generation
This is my generation, baby

Why don’t you all f-fade away (Talkin’ ’bout my generation)
And don’t try to dig what we all s-s-say (Talkin’ ’bout my generation)
I’m not trying to cause a big s-s-sensation (Talkin’ ’bout my generation)
I’m just talkin’ ’bout my g-g-g-generation (Talkin’ ’bout my generation)

This is my generation
This is my generation, baby

Why don’t you all f-fade away (Talkin’ ’bout my generation)
And don’t try to d-dig what we all s-s-say (Talkin’ ’bout my generation)
I’m not trying to cause a b-big s-s-sensation (Talkin’ ’bout my generation)
I’m just talkin’ ’bout my g-g-generation (Talkin’ ’bout my generation)

This is my generation
This is my generation, baby

People try to put us d-down (Talkin’ ’bout my generation)
Just because we g-g-get around (Talkin’ ’bout my generation)
Things they do look awful c-c-cold (Talkin’ ’bout my generation)
Yeah, I hope I die before I get old (Talkin’ ’bout my generation)

This is my generation
This is my generation, baby

Love Reign O’er Me ~ The Who  

The story covers about five days of the life of a certain Jimmy, a participant in the circa 1964 Mod lifestyle in England. “The story is set on a rock!” announced the composer, Pete Townshend, at one live performance, indicating that the opera represents Jimmy’s looking back at the events of the previous day or two that led him into the gloomy situation where he finds himself at the end of the story. The narrative is difficult to derive from the lyrics alone, but becomes clearer with the benefit of a short story (also written by Townshend) related from Jimmy’s first person perspective, that is included in the album’s booklet.

The first half of the opera consists of songs that allude to the frustrations and insecurities that govern Jimmy’s life, including brief glimpses of his home life, his job, his psychoanalyst, and his unsuccessful attempts to have a social life. Halfway through the opera he sings “I’ve Had Enough”, finds himself kicked out of his home when his parents find his box of ‘blues’ (blue pills of some unnamed drug, possibly amphetamine) (this happens in the song Cut My Hair). Distraught and with nothing better to do, Jimmy takes a large dose of blues and takes a train ride to the coast (Embodied in the song 5:15, which is supposed to be the time when the train departs). During his stay near the beach in Brighton, he encounters the former “Ace Face”, the leader of a group of Mods, whom he admires greatly. However, “Ace Face” now works as a bell boy at a nearby hotel. Ironically, this is the very same hotel Ace Face had smashed the windows of two days before. This display of masculine bravado had earned him the admiration of many of his fellow Mods two days before during Jimmy’s first stay in Brighton. Jimmy is disgusted to learn that the person he had admired as a Mod had “sold out”.

At this point, Jimmy is inconsolable. Everybody from his parents to his girlfriend had disappointed him before, but he had never expected the Mod lifestyle to let him down. Drunk and depressed, he steals the now former Ace Face’s scooter from the front of the Brighton hotel where he is employeed, takes it out to a barren rock protruding from the sea, and crashes psychologically. With nothing left to live for he finds redemption in the pouring rain, which is expressed in the final song, “Love, Reign o’er Me”.

Love, Reign O’er Me

Only love
Can make it rain
The way the beach is kissed by the sea
Only love
Can make it rain
Like the sweat of lovers
Laying in the fields.

Love, Reign o’er me
Love, Reign o’er me, rain on me

Only love
Can bring the rain
That makes you yearn to the sky
Only love
Can bring the rain
That falls like tears from on high

Love Reign O’er me

On the dry and dusty road
The nights we spend apart alone
I need to get back home to cool cool rain
I can’t sleep and I lay and I think
The night is hot and black as ink
Oh God, I need a drink of cool cool rain