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A Simple Desultory Philippic (Or How I Was Lyndon Johnson’d into Submission) ~ Paul Simon

paul simonPaul Simon is an American singer-songwriter, known for his success beginning in 1965 as part of the duo Simon & Garfunkel, with musical partner Art Garfunkel. Simon wrote most of the pair’s songs, including “The Sound of Silence”, “The Boxer”, “Mrs. Robinson”, and “Bridge Over Troubled Water”. In 1970, at the height of their popularity, the duo split and Simon began a successful solo career, highlighted by his 1986 experiment with African music on the album Graceland, which was decisive in the introduction of world music into the mainstream. Simon’s work has been generally praised by critics and the public, and has enjoyed notable commercial success for over four decades of production. In 2006, Time magazine called him one of the 100 “people who shape our world.”

Around 1985, while he was driving his car, Simon listened to a cassette of the Boyoyo Boys’ instrumental “Gumboots”. Inspired by the unusual sound, he wrote lyrics to sing over a re-recording of the song, which became the first song of his next musical project, Graceland, an eclectic mixture of musical styles including pop, a cappella, isicathamiya, rock, and mbaqanga. Much of the album was recorded in South Africa and featured many South African musicians and groups, particularly Ladysmith Black Mambazo. Warner Bros. Records had serious doubts about releasing an album of this category, but when it did, in August of 1986, Graceland was praised by critics and the public and became Simon’s most successful album. It reached No. 1 in many countries, including Australia and the UK, and peaked at No. 3 in the U.S. It was the second-best-selling album of 1987 there, and eventually reached a 5x Platinum certification, recognizing five million copies sold only in America. Another seven million copies were sold internationally, becoming his best-selling album. The singles “You Can Call Me Al” (a British Top 5 hit), “Graceland”, “The Boy in the Bubble” and “Diamonds on the Soles of Her Shoes” became standards and were highly praised. Simon, at age 45, back in the forefront of introducing popular music, received the Grammy Award for Album of the Year for Graceland, and embarked on the successful “Graceland Tour”.

A Simple Desultory Philippic (Or How I Was Lyndon Johnson’d into Submission)

A Simple Desultory Philippic (or How I Was Robert McNamara’d Into Submission)” is a song written by American singer-songwriter Paul Simon. Originally recorded for Simon’s 1965 UK-only debut, The Paul Simon Songbook, it was recorded soon after by Simon and his partner, Art Garfunkel, for the duo’s third album Parsley, Sage, Rosemary and Thyme. It is generally considered a parody of American musician Bob Dylan’s writing style, especially that of “It’s Alright, Ma (I’m Only Bleeding)”, a lengthy piece released on Dylan’s 1965 album Bringing It All Back Home. The original version was subtitled “Or how I was Lyndon Johnson’d into Submission” in a spoken introduction at the beginning, after Simon announced the song’s title. The subtitle does not appear on the sleeve or the disc label.

Simon’s original, solo performance found on The Paul Simon Songbook is lesser known than Simon & Garfunkel’s; the album remained out of print until 2004, when it was re-released by Columbia/Legacy.

In early 1965, Simon was in the midst of a period in which he went back and forth between the United States and Great Britain. Eventually spending most of 1965 in Britain, he recorded The Paul Simon Song Book in London, while making a living singing folk clubs in Britain. During this period he was also writing with Bruce Woodley of The Seekers. The album’s liner notes by Judith Piepe, state of the song: “This is, of course, a take-off, a take-on, a private joke, but no joke is all that private or any less serious for being a joke.”

In 1966, together with Art Garfunkel, Simon re-recorded the song for the duo’s album Parsley, Sage, Rosemary and Thyme, with several lyrical changes. The list of names dropped is revised. When Simon complains about a man who is, “…so unhip, when you say Dylan he thinks you’re talking about Dylan Thomas,” the next line in the London solo version is “It’s all right Ma. It’s just something I learned over in England,” referencing the Dylan songs “It’s Alright, Ma (I’m Only Bleeding)” and “I Shall Be Free No. 10.” However, the Simon and Garfunkel songs says, “It’s all right Ma. Everybody must get stoned.” the second part referencing the Dylan song “Rainy Day Women No. 12 & 35″.

At the end of the 1966 recording Simon says, “Folk rock,” and, after an audible noise, “I’ve lost my harmonica, Albert.” This presumably refers to Dylan’s manager, Albert Grossman. In the 1965 version, however, Simon sings, “When in London, do as I do: find yourself a friendly haiku… Go to sleep for ten or fifteen years.” Which could be a reference to his girlfriend at that time, Kathy Chitty, who people referred to as ‘The Haiku’.

Names dropped in the 1965 version:

  • Lyndon Johnson, President of the United States (1963–1969)
  • Union Jack, the flag of the United Kingdom
  • Jack Kerouac, an American novelist
  • John Birch, an American Baptist missionary
  • The Rolling Stones
  • The Beatles
  • Larry Adler, noted harmonica player
  • Ayn Rand - a novelist
  • Walt Disney, American film producer
  • Diz Disley, British jazz guitarist
  • John Lennon, member of the Beatles
  • Krishna Menon -, Indian politician
  • Walter Brennan - American actor
  • Cassius Clay - American boxer, later known as Muhammad Ali
  • Lenny Bruce - American comedian
  • Dylan Thomas - Welsh poet
  • James Joyce - Writer and poet
  • Rolls-Royce - A British automobile
  • Mick Jagger - British musician
  • Silver Dagger” – a nineteenth century folk song largely associated with Joan Baez
  • Andy Warhol - American visual artist
  • Tom Wilson - record producer who produced several of Bob Dylan’s ’60s LPs, Simon & Garfunkel’s début album, and the electric version of The Sounds of Silence
  • Art Garfunkel - American singer, Paul Simon’s partner in Simon and Garfunkel
  • Barry Kornfeld - second guitarist on Simon and Garfunkel’s Wednesday Morning, 3 A.M. album

I was Union Jacked, Kerouac’d
John Birched, stopped and searched
Rolling Stoned and Beatled till I’m blind
I’ve been Ayn Randed, nearly branded
Communist ‘cos I’m lefthanded:
That’s the hand they use, well, never mind!

I’ve been Walt Disneyed, Dis Disleyed
John Lennoned, Krishna Menoned
Walter Brennan punched out Cassius Clay
I’ve heard the truth from Lenny Bruce
and all my wealth won’t buy me health
So I smoke a pint of tea a day

I knew a man his brain so small,
He couldn’t think of nothin’ at all.
He’s not the same as you and me.
He doesn’t dig poetry. He’s so unhip that
When you say Dylan, he thinks you’re talkin’ about Dylan
Thomas,
Whoever he is.
The man ain’t got no culture,
But its alright, Ma,
It’s just sumpthin’ I learned over in England.

I’ve been James Joyced, Rolls Royced
Mick Jaggered, silver daggered
Andy Warhol won’t you please come home?
I’ve been mother, fathered, aunt and uncled
Tom Wilsoned, Art Garfunkled
Barry Kornfeld’s mother’s on the phone

When in London, do as I do
Find yourself a friendly haiku
Go to sleep for ten or fifteen years

  • Audio from the 1965 Album, The Paul Simon Songbook:
Click to Purchase

Click to Purchase

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A Simple Desultory Philippic (Or How I Was Robert McNamara’d into Submission) ~ Simon & Garfunkel

simon-and-garfunkelThe duo of Paul Simon and Art Garfunkel are American popular musicians known collectively as Simon & Garfunkel. They met in elementary school in 1953, when they both appeared in the school play Alice in Wonderland (Simon as the White Rabbit, Garfunkel as the Cheshire Cat). They formed the group Tom and Jerry in 1957, and had their first taste of success with the minor hit “Hey Schoolgirl”. As Simon and Garfunkel, the duo rose to fame in 1965 backed by the hit single “The Sounds of Silence”. Their music was featured on the landmark film The Graduate, propelling them further into the public consciousness. They are well known for their close harmonies and sometimes unstable relationship. Their last album, Bridge Over Troubled Water, was marked with several delays caused by artistic disagreements.

A Simple Desultory Philippic (Or How I Was Robert McNamara’d into Submission)

A Simple Desultory Philippic (or How I Was Robert McNamara’d Into Submission)” is a song written by American singer-songwriter Paul Simon. Originally recorded for Simon’s 1965 UK-only debut, The Paul Simon Songbook, it was recorded soon after by Simon and his partner, Art Garfunkel, for the duo’s third album Parsley, Sage, Rosemary and Thyme. It is generally considered a parody of American musician Bob Dylan’s writing style, especially that of “It’s Alright, Ma (I’m Only Bleeding)”, a lengthy piece released on Dylan’s 1965 album Bringing It All Back Home. The original version was subtitled “Or how I was Lyndon Johnson’d into Submission” in a spoken introduction at the beginning, after Simon announced the song’s title. The subtitle does not appear on the sleeve or the disc label.

Simon’s original, solo performance found on The Paul Simon Songbook is lesser known than Simon & Garfunkel’s; the album remained out of print until 2004, when it was re-released by Columbia/Legacy.

In early 1965, Simon was in the midst of a period in which he went back and forth between the United States and Great Britain. Eventually spending most of 1965 in Britain, he recorded The Paul Simon Song Book in London, while making a living singing folk clubs in Britain. During this period he was also writing with Bruce Woodley of The Seekers. The album’s liner notes by Judith Piepe, state of the song: “This is, of course, a take-off, a take-on, a private joke, but no joke is all that private or any less serious for being a joke.”

In 1966, together with Art Garfunkel, Simon re-recorded the song for the duo’s album Parsley, Sage, Rosemary and Thyme, with several lyrical changes. The list of names dropped is revised. When Simon complains about a man who is, “…so unhip, when you say Dylan he thinks you’re talking about Dylan Thomas,” the next line in the London solo version is “It’s all right Ma. It’s just something I learned over in England,” referencing the Dylan songs “It’s Alright, Ma (I’m Only Bleeding)” and “I Shall Be Free No. 10.” However, the Simon and Garfunkel songs says, “It’s all right Ma. Everybody must get stoned.” the second part referencing the Dylan song “Rainy Day Women No. 12 & 35″.

At the end of the 1966 recording Simon says, “Folk rock,” and, after an audible noise, “I’ve lost my harmonica, Albert.” This presumably refers to Dylan’s manager, Albert Grossman. In the 1965 version, however, Simon sings, “When in London, do as I do: find yourself a friendly haiku… Go to sleep for ten or fifteen years.” Which could be a reference to his girlfriend at that time, Kathy Chitty, who people referred to as ‘The Haiku’.

http://djallyn.org/media/A_Simple_Desultory.flv

Names dropped in the 1966 version include:

  • Norman Mailer – an American writer
  • Maxwell Taylor – an American soldier and diplomat
  • John O’Hara – an American writer
  • Robert McNamara – an American military leader (U.S. Secretary of Defense at that time)
  • The Rolling Stones - a British rock group
  • The Beatles – a British pop and rock group
  • Ayn Rand – a novelist
  • Phil Spector – a record producer
  • Lou Adler – a record producer
  • Barry Sadler – an American soldier and musician
  • Lenny Bruce – a stand-up comedian
  • Dylan Thomas – a Welsh poet and writer
  • Mick Jagger – a British singer
  • Andy Warhol – an American painter
  • Roy Halee – Simon and Garfunkel’s record producer
  • Art Garfunkel - an American singer for Simon and Garfunkel

I been Norman Mailered, Maxwell Taylored
I been John O’Hara’d, McNamara’d
I been Rolling Stoned and Beatled till I’m blind
I been Ayn Randed, nearly branded
Communist, ’cause I’m left-handed
That’s the hand I use, well, never mind

I been Phil Spectored, resurrected
I been Lou Adlered, Barry Sadlered
Well, I paid all the dues I want to pay
And I learned the truth from Lenny Bruce
And all of my wealth won’t buy me health
So I smoke a pint of tea a day

I knew a man, his brain so small
He couldn’t think of nothing at all
He’s not the same as you and me
He doesn’t dig poetry. He’s so unhip that
When you say Dylan, he thinks you’re talking about Dylan Thomas
Whoever he was
The man ain’t got no culture
But it’s alright, ma
Everybody must get stoned

I been Mick Jaggered, silver daggered
Andy Warhol, won’t you please come home?
I been mothered, fathered, aunt and uncled
Been Roy Haleed and Art Garfunkeled
I just discovered somebody’s tapped my phone

  • Audio from the 1966 album, Parsely, Sage, Rosemary And Thyme:
Click to Purchase

Click to Purchase

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The Longest Time ~ Billy Joel

billy-joelBilly Joel is an American rock musician, singer-songwriter, and classical composer.

Joel was born in the Bronx and raised in Hicksville, New York in a Levitt home. His father, Howard (born Helmuth), was born in Germany, the son of German merchant and manufacturer Karl Amson Joel, who, after the advent of the Nazi regime, emigrated to Switzerland and later to the United States. Billy Joel’s mother, Rosalind Nyman, was born in England to Philip and Rebecca Nyman. Both of Joel’s parents were Jewish. They divorced in 1960, and his father moved to Vienna, Austria. Billy has a sister, Judith Joel, and a half-brother, Alexander Joel, who is an acclaimed classical conductor in Europe and currently chief musical director of the Staatstheater Braunschweig.

Joel’s father was an accomplished classical pianist. Billy reluctantly began piano lessons at an early age, at his mother’s insistence; his teachers included the noted American pianist Morton Estrin and musician/songwriter Timothy Ford. His interest in music, rather than sports, was a source of teasing and bullying in his early years. (He has said in interviews that his piano instructor also taught ballet. Her name was Frances Neiman, and she was a Juilliard trained musician. She gave both classical piano and ballet lessons in the studio attached to the rear of her house, leading neighborhood bullies to mistakenly assume that he was learning to dance.) As a teenager, Joel took up boxing so that he would be able to defend himself. He boxed successfully on the amateur Golden Gloves circuit for a short time, winning twenty-two bouts, but abandoned the sport shortly after breaking his nose in his twenty-fourth boxing match.

Joel attended Hicksville High School in 1967, but he did not graduate with his class. He had been helping his single mother make ends meet by playing at a piano bar, which interfered with his school attendance. At the end of his senior year, Joel did not have enough credits to graduate. Rather than attend summer school to earn his diploma, however, Joel decided to immediately begin a career in music. Joel recounted, “I told them, ‘To hell with it. If I’m not going to Columbia University, I’m going to Columbia Records, and you don’t need a high school diploma over there’.” Columbia did, in fact, become the label that eventually signed him. In 1992, he submitted essays to the school board and was awarded his diploma at Hicksville High’s annual graduation ceremony, 25 years after he had left.

The Longest Time

The Longest Time” is a doo-wop single by Billy Joel. The song was released as a single in 1984 as the fourth single from the 1983 album An Innocent Man. It reached number fourteen on the Billboard Hot 100 and number one on Billboard‘s Adult Contemporary chart. Overseas, the song went to number twenty-five on the UK Singles Chart.

The song features Joel on lead vocals and all backing vocals. Joel recorded 14 different background tracks which were mixed into the song.

http://djallyn.org/media/billy-joel-the-longest-time.flv

Woa, oh, oh,
For the longest time
Woa, oh, oh, oh
For the longest time
If you said goodbye to me tonight
There would still be music left to write
What else could I do
I’m so inspired by you
That hasn’t happened for the longest time

Once I thought my innocence was gone
Now I know that happiness goes on
That’s where you found me
When you put your arms around me
I haven’t been there for the longest time

Woa, oh, oh, oh
For the longest time
Woa, oh, oh, oh
For the longest
I’m that voice you’re hearing in the hall
And the greatest miracle of all
Is how I need you
And how you needed me too
That hasn’t happened for the longest time

Maybe this won’t last very long
But you feel so right
And I could be wrong
Maybe I’ve been hoping too hard
But I’ve gone this far
And it’s more than I hoped for

Who knows how much further we’ll go on
Maybe I’ll be sorry when you’re gone
I’ll take my chances
I forgot how nice romance is
I haven’t been there for the longest time

I had second thoughts at the start
I said to myself
Hold on to your heart
Now I know the woman that you are
You’re wonderful so far
And it’s more than I hoped for

I don’t care what consequence it brings
I have been a fool for lesser things
I want you so bad
I think you ought to know that
I intend to hold you for the longest time

Woa Oh Oh Oh
For the longest time
Woa, Oh Oh Oh
For the longest time
Oh Oh Oh Oh
For the longest time
(Fade out)

  • Audio from the 1984 album,  An Innocent Man:
Click to Purchase

Click to Purchase

  • Audio from the 1984 album,  An Innocent Man:

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